Friday, 22 February 2013

Fasle Kargadan (Rhino Season, 2012)


One of the other films that I have seen at the Jameson Dublin International Film Festival is Kurdish filmmaker Bahman Ghobadi’s Fasle Kargadan (Rhino Season, 2012) that is presented by Martin Scorsese.  After the filmmaker was exiled by the Iranian government, he went to different countries but eventually start living in Istanbul where the film is set.

So many factors have made me go see this film: I love Iranian Cinema, I love Ghobadi, I love Yilmaz Erdogan, then of course there is the fact of Monica Bellucci. After hearing that all these names have come up together to make a film… I have wanted to see this film for months now.

The film is about a love story that sets through three decades, starts around the Iranian revolution. It is based on Ghobadi’s poet friend who was imprisoned during Islamic Revolution. Sahel (Behrouz Vossoughi) is thrown in to the prison for 30 years by personal revenge.  His wife Mina was also served in prison where she gets out after 10 years. She was told that Sahel has died so she moves to Istanbul. Once Sahel is freed he follows her.

Sahel is caught up in between his past and present, where he watches Mina from far away like a ghost. He is an outsider and is caught up in his memories.In his interview to Daily News Ghobadi says: “I had to leave Iran four years ago but I did not want to leave; the government pushed me out. I love Iran very much, so my soul is in jail now and this is worse than being in jail”. We see traces of Ghobadi in Sahel- both of their souls are in jail. This captivating feeling has got to me every now and then since I have been living away from Turkey.  

I really liked the film but once thing did not make sense to me at all. The daughter (Beren Saat) is a prostitute and tries to save money for her family. In no Turkish culture, as a matter of fact I think the same for Iranian culture, that the brother lets her sister to do something like this. This part really made me go like 'OK what the hell?!'. Because I really think that no Muslim culture will ever let that happen.

Behrouz Vossoughi and Arash Labaf are the only Iranian speaking actors in the film. We do not see much of Bellucci speaking Farsi but I have heard from my Iranian friends that overall there was no big accent difference. Since Yilmaz Erdogan is Kurdish as well, I assume he pulled of the accent whereas the rest of the crew spoke Turkish.

Bahman Ghobadi tells us this story of love and exile in a less likely political atmosphere. I think the tattoo that was made on Sahel's back describes it all: 
"Only the one living on border
Will create a land"

Monday, 18 February 2013

L'ordre et la morale (Rebellion, 2011)

Today I had the chance to see director-actor Mathieu Kassovitz’s new film L'ordre et la morale at the Jameson Dublin International Film Festival. And let me tell you this, France is confronting with her past- and an insider is the cause of this.

The film is based on the event of Ouvéa cave hostage taking that occurred during 22 April 1988 to 5 May 1988. A separatist group has taken hostage of 27 people including French gendarmes and demanding independence of New Caledonia. This is where GIGN captain Philippe Legorjus, acted by Kassovitz himself, and his men intervene and to negotiate between the Kanak separatist group and French government.

Kassovitz actually helps us to see the two sides of the story. The separatist group is called ‘terrorist’ by the French soldiers and the government but in fact we see that they are just fathers, and more than anyone else, they want the killing and occupation to stop. The Kanaks who killed the soldiers are willing to surrender and give the hostiles back. In return, they only wish their freedom and independence.

The film countdowns the 10 days. The negotiations seem to be working at the beginning. The media is blocked and there is going to be elections in France, so they want to solve this problem before the elections. 
Who cares who dies or not? 

I recommend this film. It is 136 minutes long but not one second bores you and especially the assault sequence is definitely shot very well.

 As Phillippe Legorjus says "Truth hurts but lie kills.."