Thursday, 27 December 2012

Big Love (2012)


My sister watched this Polish film recently and recommended me to watch as well. The director Barbara Bialowas is depicting the 'big love' of Emilia (Aleksandra Hamkalo) and Maciek (Antoni Pawlicki).

When they meet Emilia is underage but this does not stop their relationship. They keep on smoking, drinking and living wildly where we see Maciek getting jealous of Emilia. Their love is a bit tough as well- Maciek sometimes have this anger management problem. But they are madly in love with each other. And the story continues when...



I will not give more spoilers. I think the film was decent enough to watch. It is a bit cliche where they love each other but also hurt each other. However I enjoy watching relatively small European national cinemas compare to 'big' ones, so you should watch as well(: Here is the trailer:





Thursday, 15 November 2012

Rust and Bone (De rouille et d'os, 2012)



I have not seen a film this strong for some time. It is pure brutal and beautiful. This film occupied my thoughts and my mind, until I went to bed to sleep. I have missed watching films that make me feel this way, so thank you Jacques Audiard (:

The film is about two people who are alienated from the society, whether due to their physical or emotional problem that bonded them together. Ali (Matthias Schoenaerts) is a macho man who moved in with his sister and her husband’s house with his five year old boy Sam (Armand Verdure) from Belgium. He used to do kickboxing but now he works as bouncer and as a security guard. He has problems interacting with his son and women. He uses his physical strength when he cannot cope and has one night stands with women.



Stéphanie (Marion Cotillard) is a killer whale trainer who by an accident in the marine park becomes amputee. Her physical situation alienates her from the society. Ali visits her after some time where he takes her out beside the sea. He asks her if she wants to swim, she replies 'Do you realize what you're saying?' Though she realises that she can still swim and after that he keeps taking her to the sea. He helps her and she enjoys and fells free again. In fact she starts to feel alive, and enjoys music and dance where she has told him that she loves dancing and making guys watch her and enjoys turning them on.

Ali starts fighting illegally and making money out of it meanwhile he puts camera with his friend Martial (Bouli Lanners) inside shops to peek on the workers. Stéphanie joins them in his fight but watches them in the car. Though at one point when Ali was beaten badly, she steps out of the car and goes beside them which gives strength to him and wins the match. They make a weird couple where they have sex as what they call -‘OP’ or ‘operational’ though it makes sense as they company each other from their alienated world.



The actors are splendid, the visual effects and music are amazing and the cinematography (cinematographer Stéphane Fontaine) is purely beautiful in such scenes when Stéphanie interacts with a killer whale under the water tank.



Thursday, 1 November 2012

Baraka (1992)



Today I had the chance to see Baraka created by Ron Fricke and Mark Magidson, directed by Fricke on big screen at Irish Film Institute. It is an incredible film, I see myself lucky to see in on theater.

There are no plot or actors just visually stunning images from 25 countries from 6 continents. “Without words, cameras show us the world, with an emphasis not on "where," but on "what's there."”[1] Images of nature, human, worship, harmony and destruction of human is all harbored in this film where the director says it is "a guided mediation on humanity."  The film was completed in 30 months, 14 months on location[2].



The word baraka means ‘blessing’, where in Quran it is used in plural meaning sent by God[3]. The film starts with these ‘blessings’, where we see people from different religions worship; we see the nature and human in harmony. Later on the film, we start to see the destruction and mass production. The film can be divided to three parts: “Act 1 depicts scenes of natural wonder and religious rituals that blend together. In Act 2 the movie shifts direction as a Brazilian rain forest tree is chainsawed to the ground. An enormous strip mine scars the landscape. Cities progressively increase in size and take on a mechanical breathing sound. The result is overpopulation, mass production, factory farms, poverty, prostitution, war, and ultimately genocide. Act 3 is one of redemption. Civilizations ultimately collapse under their own weight, and people are purified by returning to nature and religious ritual”[4].




The pictures are taken from: http://www.spiritofbaraka.com/baraka